Charleston Grit Mention!

Arts Not Optional, Pt. 2: Will You Pocket Veto?

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Charleston Grit Article by Stephanie Hunt

So maybe Governor Haley’s ugly little veto was all an act—benign grandstanding to placate her tea party crowd. Maybe she really values and appreciates art after all; in fact, maybe she has a thing for drama, for putting on a show, for doing her “no big government” song-and-dance because she gets her kicks via good choreography. Maybe she knew full well her little executive ax job would not just be overridden, but downright pummeled by the House and Senate, thank heavens.

Remember learning about legislative procedure in seventh grade social studies? Remember the pocket veto—when a bill or measure dies a slow death because the chief executive neither signs nor returns it before Congress adjourns? It amounts to veto by neglect, more or less. Well, my friends, we made the calls to our representatives. We rallied for funding for the Arts Commission, and we won. Thank you and hallelujah! But the pocket veto is still on the table, as is the pocket vote. Your pocket veto. Your pocket vote. Let’s not let our local arts community die by our neglect.

Fellow artsies, it’s not enough to raise hell on a blog (read Part 1 here), to click “Like” on Facebook. It’s not enough to call our representatives and senators (but I’m awfully glad you did). We’ve also got to vote with our pockets and pocketbooks, dig deep into our own hard-earned tip jar and buy some tickets. We’ve got to go see local theater and dance. Fork over the nine bucks admission price to see the absolutely PHENOMENAL watercolors by Mary Whyte now on display at the Gibbes (Working South, worth every penny—NOT to be missed! I’m telling you).

Tips, Mary Whyte, 2007: at the Gibbes Museum through September 9

And maybe most of us can’t afford an original Mary Whyte masterpiece, but many of us can spring for an original work by exceptionally talented local artists, such as those offered through Charleston Artist Collective, which gives 15 percent back to a local nonprofit (this month, to Charleston Moves, a personal favorite).

Up the Creek, Mary Hoffman: charlestonartistcollective.com

Our local arts community survived Nikki Haley’s recent hatchet, but don’t let it succumb to a more painful, more personal pocket veto. Here’s what I’m doing: renewing my season subscription to Pure Theatre (check out their buy one, get one half-price July special); taking my kids to see A Long Time Ago… at the City Gallery before it closes July 29; doing some early Christmas shopping at Charleston Artist Collective; writing my representatives and telling them, “Thanks.”

How will you cast your pocket vote?

Dee Schenck Rhodes Profiled in Charleston Art Mag!

 

Dee Schenck Rhodes grew up with art and music in Greensboro, North Carolina. Her father enjoyed painting on the weekends, and he kept her stocked with supplies for her own artistic expression. In high school she studied with an inspiring instructor, but focused on her music during college. Rhodes met her husband while attending the prestigious Duke University, and not long after, they found their way to his hometown of Charleston.
Fast forward to today: Rhodes, her husband, and youngest child live on the Stono River just outside of Charleston. Her three children are all pursuing artistic and academic endeavors. Rhodes is focused exclusively on painting, and often finds herself totally absorbed  by her art in the peaceful setting of home and studio on the river.

The expansive marsh bridging her home and the river provide Rhodes with endless inspiration for her bright, saturated landscapes in oil. She builds up layer after layer, frequently using a palette knife to achieve great texture. The landscapes are loose—Rhodes’ work occupies the space between “representational” and “abstract,” which makes her landscapes easily accessible to viewers.
Rhodes took classes at the Gibbes Museum of Art School and enjoys the figure drawing group at Redux Contemporary Art Center. She is a member of the Charleston Artist Collective, a group of artists who challenge themselves by painting on a different theme each month and then donating a portion of sales to local charities. “I feel so lucky to be part of the Charleston Artist Collective,” says Rhodes. She relishes the way such exercises can push her out of her artistic comfort zone. “The Collective is really inspiring to stimulate new ideas and new ways of doing things,” she says.

Some other inspirations: seeing the crowds at the Met Museum in Manhattan—“all those people who choose to spend their Saturday waiting in line to see great works of art;” the landscape and the cultural richness of Charleston; the Spoleto Festival; and particularly the chamber music series.
We are inspired by her and think you will be too!http://theartmag.com/the-arts/dee-schenck-rhodes/